MYRIAM GENDRON & SARAH NEUFELD ON THE ROOF

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Le 20 septembre, au coucher du soleil, Myriam Gendron joue sur le toit d’Ubisoft à Montréal en première partie de Sarah Neufeld. 

On september 20th, at dusk, Myriam Gendron will play on the Ubisoft rooftop in Montreal, opening for Sarah Neufeld.

Details : http://bit.ly/1qP7Udz

(via myriamgendron)

alcools:

Letter from Neal Cassady to Jack Kerouac
alcools:

Letter from Neal Cassady to Jack Kerouac
theparisreview:

Remembering Ray Johnson through his pioneering correspondence art.
theparisreview:

Remembering Ray Johnson through his pioneering correspondence art.

T H R E N O D Y

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myriam gendron

dorothy parker

(via myriamgendron)

davidhudson:

Dorothy Parker, 1924, photographed at the back of Harold Ross’s brownstone.

B I L L   N A C E

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M Y R I A M   G E N D R O N

South Deerfield, Ma. 07/14

photo : Elisa Ambrogio

(via seminaculture)

fuckyeahsandorclegane:

Maddy Prior & June Tabor “Agincourt Carol” (live)

fuckinrecordreviews:

"When Tabor approaches traditional material in a capella form it can freeze the skin on your face…"
FORCED EXPOSURE #16 1990 page (page 96)
JUNE TABOR review by JIMMY JOHNSON, Editor
Why are we celebrating Jimmy this week? He’s an UNSUNG HERO OF ROCKNROLL WRITING, that’s why.
YouTube is really delivering lately. The linked video below is of June Tabor from 1990 and damn if our faces aren’t frozen! Two violins and June’s beautiful voice and no synths - tho’ we kind of wish Hermann Nitsch would jump out from behind the cathedral doors and douse the crowd in pig’s blood.  Give yourself a treat. You may be in tears by the end of the first song. 

fuckinrecordreviews:

"When Tabor approaches traditional material in a capella form it can freeze the skin on your face…"
FORCED EXPOSURE #16 1990 page (page 96)
JUNE TABOR review by JIMMY JOHNSON, Editor
Why are we celebrating Jimmy this week? He’s an UNSUNG HERO OF ROCKNROLL WRITING, that’s why.
YouTube is really delivering lately. The linked video below is of June Tabor from 1990 and damn if our faces aren’t frozen! Two violins and June’s beautiful voice and no synths - tho’ we kind of wish Hermann Nitsch would jump out from behind the cathedral doors and douse the crowd in pig’s blood.  Give yourself a treat. You may be in tears by the end of the first song. 

fuckinrecordreviews:

"When Tabor approaches traditional material in a capella form it can freeze the skin on your face…"

FORCED EXPOSURE #16 1990 page (page 96)

JUNE TABOR review by JIMMY JOHNSON, Editor

  • YouTube is really delivering lately. The linked video below is of June Tabor from 1990 and damn if our faces aren’t frozen! Two violins and June’s beautiful voice and no synths - tho’ we kind of wish Hermann Nitsch would jump out from behind the cathedral doors and douse the crowd in pig’s blood.  Give yourself a treat. You may be in tears by the end of the first song. 

killerbeesting:

Charles Brittin, Shirley Berman in Eames Rocker, Venice, CA, 1956

lesecretmusical:

Attends, je vois tout près une étoile orpheline
Qui vient dans ta maison pour te parler de moi
Je la connais depuis longtemps c´est ma voisine
Mais sa lumière est illusoire comme moi
Et tu ne me dis rien tu ne dis jamais rien
Mais tu luis dans mon cœur comme luit cette étoile
Avec ses feux perdus dans des lointains chemins
Tu ne dis jamais rien comme font les étoiles.

À Saint-Aubin Sur Mer que je ne connais pas…

Sublime interprétation, vraiment. 

(via bernardcamus)